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Attributional beliefs in music learning: 'talent' or hard work?
Attributional beliefs in music learning: 'talent' or hard work?

By Prajakta Swami

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Student Achievement in Middle Grades: Gauging the Effect of Teacher Training on Student Learning
Student Achievement in Middle Grades: Gauging the Effect of Teacher Training on Student Learning

By Dharmavir Goel

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Does Music Affect Behavior in the Special Education Classroom?
Does Music Affect Behavior in the Special Education Classroom?

By Nanasaheb Bajaj

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Racializing Discourses: an Exploration of Moreno Subject Formation in Oaxaca, Mexico
Racializing Discourses: an Exploration of Moreno Subject Formation in Oaxaca, Mexico

By Dakshesh Berwa

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Ghost Rags by William Bolcom: A Descriptive Analysis and Performance Guide
Ghost Rags by William Bolcom: A Descriptive Analysis and Performance Guide

By Meenabai Rathi

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GENDER ASSOCIATIONS OF AMERICAN BAND INSTRUMENTS: EXPLORING AND COMPARING THE PERCEPTIONS OF THREE AGE GROUPS
GENDER ASSOCIATIONS OF AMERICAN BAND INSTRUMENTS: EXPLORING AND COMPARING THE PERCEPTIONS OF THREE AGE GROUPS

By Nischal Katoch

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Do You Fit the Alloy Mold? The Homogenization of Structure and Audience in the Television Adaptations of 'Gossip Girl,' 'Pretty Little Liars,' and 'The Vampire Diaries'
Do You Fit the Alloy Mold? The Homogenization of Structure and Audience in the Television Adaptations of 'Gossip Girl,' 'Pretty Little Liars,' and 'The Vampire Diaries'

By Pratima Godara

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Exploring the Multicultural Pedagogy of CES Faculty through an Intersectional Lens
Exploring the Multicultural Pedagogy of CES Faculty through an Intersectional Lens

By Richhapal Tambe

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Sex Determination Using Discriminant Function Analysis of Carpals from Maya Sites in Belize from Pre-Classic to Spanish Colonial Period
Sex Determination Using Discriminant Function Analysis of Carpals from Maya Sites in Belize from Pre-Classic to Spanish Colonial Period

By Gyanjot Vadhwa

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Audience Participation Structures in the Concert Hall and D, Me, You, We, a Non-Opera for Actor, Chatbot, Musicians, and Audience
Audience Participation Structures in the Concert Hall and D, Me, You, We, a Non-Opera for Actor, Chatbot, Musicians, and Audience

By Dipali Kothari

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