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Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature
Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature

By Amrapali Chaurasia

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Political Secrecy and Theatricality in Marlowe and Shakespeare
Political Secrecy and Theatricality in Marlowe and Shakespeare

By Surajmal Khandelwal

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Gothic Representation in the Work of Thomas Hardy
Gothic Representation in the Work of Thomas Hardy

By Phool Devi Mahajan

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Reflections of writing, rewriting, and reading in twelfth-century French literature: A study of Guillaume de Palerne as a self-reflexive romance
Reflections of writing, rewriting, and reading in twelfth-century French literature: A study of Guillaume de Palerne as a self-reflexive romance

By Parashuram Kushwaha

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Negotiating rates of exchange: Arab academic sojourners’ sociolinguistic trajectories in the UK
Negotiating rates of exchange: Arab academic sojourners’ sociolinguistic trajectories in the UK

By Dattatreya Choubey

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Women's work and women's writing in the late-seventeenth century: female labour in Aphra Behn and her contemporaries
Women's work and women's writing in the late-seventeenth century: female labour in Aphra Behn and her contemporaries

By Anoop Jhunjhunwala

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Reproducing Imperial Visions of Bolivia? The personal, the cultural, and the economic in the British and Bolivian press
Reproducing Imperial Visions of Bolivia? The personal, the cultural, and the economic in the British and Bolivian press

By Navnath Raghuwanshi

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'Un Bon Dessin Vaut Mieux Qu'un Long Discours': The role and impact of cartoons in contemporary France
'Un Bon Dessin Vaut Mieux Qu'un Long Discours': The role and impact of cartoons in contemporary France

By Bhagwati Chaudhary

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A Study of Language Use, Language Attitudes and Identities in Two Arabic Speaking Communities in the UK
A Study of Language Use, Language Attitudes and Identities in Two Arabic Speaking Communities in the UK

By Pappu Lal Bhatnagar

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The use of chivalry as a binding force in public events within four Sir Gawain romances
The use of chivalry as a binding force in public events within four Sir Gawain romances

By Ambar Nandi

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